These larger, more decorative wall pieces/slabs reflect the environment of the clay and bone's provenance more interestingly. Moving away from the potter's wheel, I worked in a more primitive and freeing way to explore new forms, colours, and textures.
Using bone and rock inclusions and using a mix of ash glaze and bone slips to decorate the platters.
An additional series of bone china platters.
These were commissioned and subsequently exhibited as part of the vertical gallery exhibition at the Manchester School of art.
